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Henry Jenkins' pioneering work in the early 1990s promoted the idea that fans are among the most active, creative, critically engaged, and socially connected consumers of popular culture. This title takes readers from Jenkins' early work defending fan culture against those who would marginalize or stigmatize it, through to his work.
In the last two decades, both the conception and the practice of participatory culture have been transformed by the new affordances enabled by digital, networked, and mobile technologies. This exciting new book explores that transformation by bringing together three leading figures in conversation.
Provides a clear understanding of how people are spreading ideas and the implications these activities have for business, politics, and everyday life
An unpredictable exploration of how media is sparking grassroots cultural campaigns
This study celebrates the "anarchistic" film comedies made in the USA in the 1930s, which mocked the creativity and impulsiveness of their protagonists in a form of clowning that ultimately re-established the status quo. Films discussed include "Duck Soup" and W.C. Fields's "It's a Gift".
Science Fiction Audiences considers the continuing popularity of two television 'institutions' of our time through an examination of their followers and fans.
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