Books by Humphrey Carpenter

The original authorised biography, and the only one written by an author who actually met J.R.R. Tolkien.In the 25 years since Tolkien's death in September 1973, millions have read The Hobbit, The Lord of the Rings and The Silmarillion and become fascinated about the very private man behind the books.Born in Bloemfontein in January 1892, John Ronald Reuel Tolkien was orphaned in childhood, brought up in near-poverty and almost thwarted in adolescent romance. He served in the First World War, surviving the Battle of the Somme, where he lost some of his closest friends, and returned to academic life, achieving high repute as a scholar and university teacher, eventually becoming Merton Professor of English at Oxford.Then suddenly his life changed dramatically. One day while marking essay papers he found himself writing 'In a hole in the ground there lived a hobbit' - and worldwide renown awaited him.Humphrey Carpenter was given unrestricted access to all Tolkien's papers, and interviewed his friends and family. From these sources he follows the long and painful process of creation that produced The Lord of the Rings and The Silmarillion and offers a wealth of information about the life and work of the twentieth century's most cherished author.

This reference is for anyone concerned with children's books. Over 900 biographical entries deal with authors, illustrators, publishers, educationalists and others who have influenced the development of children's literature, providing plot summaries, character sketches and historical background.

The gripping history of a venerable publishing house and its behind-the-scenes sagas

Mr Majeika can behave just like any ordinary teacher if he wants to, but something has to be done about Hamish Bigmore, the class nuisance, and so he uses a little magic to turn him into a frog - the only problem is he can't remember the spell to turn him back.

Four Cambridge undergraduates, Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett had created a satirical revue, which by its iconoclastic irreverence destroyed what Humphrey Carpenter describes as 'the culture of deference' so prevalent in the preceding decade.

Dennis Potter's death in 1994 deprived British television of its most controversial figure. Potter was a prolific writer of genius. Yet while his subversive television plays scandalized and delighted the nation, they also made him the butt of the tabloids, who nicknamed him 'Dirty Den' for his 1989 serial "Blackeyes".

In Humphrey Carpenter's own words, 'This is the story of the longest-ever literary party, which went on in Montparnasse, on the Left Bank, throughout the 1920s.''This book', to continue to quote Carpenter himself, 'is chiefly a collage of Left-Bank expatriate life as it was experienced by the Hemingway generation - "e;The Lost Generation"e;, as Gertrude Stein named it in a famous remark to Hemingway.'There are brief portraits of Gertrude Stein, Natalie Clifford Barney and Sylvia Beach, who moved to Paris before the First World War and provided vital introductions for the exiles of the 1920s. The main narrative, however, concerns the years 1921 to 1928 because these saw the arrival and departure of Hemingway and most of his Paris associates.'He is a compelling guide, catching the kind of idiosyncratic detail or incident that holds the readers' attention and maintains a cracking pace. Anyone wanting an introduction to the constellation of talent that made the Left Bank in Paris during the Twenties a second Greenwich Village would find this a useful and inspiring book.' Times Educational Supplement

W. H. Auden disapproved of literary biography. Or did he? The truth is far more equivocal than at first seems apparent. There is no denying he delivered himself of such unambiguous pronouncements as 'Biographies of writers are always superfluous and usually in bad taste.'; and that he asked for his friends to burn his letters at his death, but, against that, Auden himself often reviewed literary biographies and normally with enthusiasm. Moreover he argued for biographies of writers such as Dryden, Trollope, Wagner and Gerard Manley Hopkins as their lives would tell us something about their art.Humphrey Carpenter himself nicely summarizes Auden's ambiguity on this question. 'Here (referring to literary biography), as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.'Although the biography was not authorized it did receive the co-operation of the Auden Estate which gave permission for letters and unpublished works to be quoted. The result is a biography that was widely praised on first publication in 1981 and which continues to hold its own. Now is the obvious time to reissue it with the character of Humphrey Carpenter playing an important role in Alan Bennett's The Habit of Art. In his introduction Alan Bennett writes 'When I started writing the play I made much use of the biographies of both Auden and Britten written by Humphrey Carpenter and both are models of their kind. Indeed I was consulting his books so much that eventually Carpenter found his way into the play.' 'Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom . . . admirably detailed and researched study.' John Bayley, The Listener'an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work' Frank Kermode, Guardian'sharpens and usually lights up even the most canvassed parts of the Auden life and myth . . . a deeply interesting book about a deeply interesting life' Roy Fuller, Sunday Times' . . . the story of a remarkable man told by one of the best living biographers' David Cecil, Book Choice

Ezra Pound's greatness as a man of letters - poet, translator, critic, editor, pedagogue, universal correspondent - made him a central figure in the literature of the twentieth century.

'[The Brideshead Generation] has both style and substance, and is above all an enjoyable companion. It has a wildly amusing cast, here controlled by a skilful director.' Evening Standard'Jovial and entertaining, full of the sort of stories that your friends will tell you if you don't read it before them.' Independent'Carpenter has read widely and has collected an enormous fund of entertaining stories and facts.' Sunday Telegraph'Hauntingly sad and wonderfully funny and by far the best thing Humphrey Carpenter has done.' Fiona MacCarthy, The Times

Kingsley Amis, John Osborne, John Braine, Colin Wilson, John Wain - five names instantly redolent of the 1950s and the Angry Young Men phenomenon.

Covering the period from the publication of Alice's Adventures in Wonderland to Winnie-the-Pooh, Humphrey Carpenter examines the lives and writings of Lewis Carroll, Kenneth Grahame, George Macdonald, Louisa May Alcott, Frances Hodgson Burnett, A.A. Milne and others whose works make up the Golden Age of children's literature.Both a collective biography and a work of criticism, Secret Gardens forces us to reconsider childhood classics in a new light. 'Secret Gardens permits us to see in a fresh light the interaction between cultural history and literature, and to realize that ... it wasn't mere misfits who withdrew into the writing of children's books, but rather the sort of misfits who reflected the prevailing dissatisfactions of the age.' New York Times Book Review

When Class Three and Mr Majeika go to the circus, it's definitely not as fun as they imagined. Everyone's a bit old, creaky and rubbish really! So when Mr Majeika casts a small spell to help the performers with their circus show, it's no surprise that Billy Balance, the slack rope walker, kidnaps Mr Majeika so that Mr Majeika can magically help him everytime! Things get worse whilst Mr majeika is trapped when Wilhelmina Worlock takes the opportunity to turn Class Three's classroom into a circus and the children spend all afternoon running away from lions and alligators!But Mr Majeika's magic saves the day, Class Three and the circus end up on the news and once again Mr Potter, the headmaster, misses it all!

Fun and magic combine as usual in this new Mr Majeika story. The pupils in Class 3 at St Barty's School are not impressed when their headteacher imposes strict rules of behaviour for Halloween. Mr Majeika uses a little magic to make the evening memorable but nasty Hamish Bigmore tells the local press and gets the wizard-teacher the sack. School without magic seems rather boring and Mr Majeika doesn't last long in the other jobs he tries. His long-time enemy, Wilhelmina Warlock is clearly behindall the trouble; she and the dreaded Hamish must be defeated before life can return to normal.

Class Three has got a new computer and while exploring it, Mr Majeika manages to get the whole class trapped in the school website. Many adventures follow and Class Three meet bizarre characters before they can get out.

'Do be careful, Mr Majeika, there might be real ghosts in there.'When Class Three and Mr Majeika get on board a ghost train, they are in for a surprise. Real ghosts appear and the wicked Wilhemina Worlock isn't far away. But Jody comes to the rescue - with a dragon to help her!

A biography of Benjamin Britten which presents a panorama of British musical life since the 1920s.

Class 3 are sure that something is very wrong when Mr Majeika leaves school without saying goodbye. When they find a message from him saying he's been arrested by the Silly Crime Squad, they are determined to rescue him. To do this they must outwit Hamish Bigmore and Mr Majeika's old enemy, Wilhelmina Worlock. They succeed and Wilhelmina is punished with a 'spell' on earth as a Supply Teacher!

When old Mr Jenks retires, St Barty's School advertises for a new caretaker. Unfortunately there's only one applicant - Hamish Bigmore's Uncle Wilf who is just as rude and bad-tempered as Hamish. When Mr Majeika is hurt in an accident it becomes clear that Uncle Wilf is working for the wickedest of witches, Wilhelmina Warlock! It's up to Mr Majeika to work his magic and put things right again.

More amazing adventures with Mr Majeika, the ex-wizard, turned teacher, and his class at St Barty's School. This time there's a trip down a magic river, a battle to save St Barty's from the wrecking ball, and work experience for Class Three.

'Use of magic by teacher strictly forbidden.'Poor Mr Majeika goes to the bottom of the class when the school inspector comes to call. Things don't get any easier when Mr Majeika turns himself into a lobster by mistake. Class Three somehow has to get Wilhemina Worlock to undo the spell...

'I really am quite useless as a wizard.'But Class Three thinks Mr Majeika is an excellent wizard, particularly when his spells go wrong! First Hamish Bigmore ends up on TV, then a real giant appears in the school play. And finally Mr Majeika gets the whole class lost on a magic carpet! There's always an adventure with Mr Majeika around...

'Sometimes, ' whispered Jody. 'I think school dinners would be alright if it wasn't for her.'Mrs Chipchase, the nasty dinner lady, makes lunch hour at St Barty's really unpleasant. That is, for everyone but her 'favourite friend', Hamish Bigmore. Up to his usual tricks, Hamish is allowed to eat chocolate instead of ghastly school dinners!Mr Majeika decides it's time to sort out the menu...

'Oh, don't be cowards,' said Jody. 'I'm sure it's perfectly safe.'Mysteriously stranded in the fog at night. Mr Majeika and Class Three find themselves in a creepy hotel near Hadrian's Wall, where some very spooky things start to happen. Strange lights, ghostly sounds and vanishing people...

'Music teacher? What music teacher?'The sudden arrival of a new music teacher throws St barty's School into confusion. Mysterious smells start coming from the staffroom and creepy-crawlies appear out of nowhere. The new arrival is, of course, Wilhelmina Worlock, a wicked witch with some nasty tricks.It's up to Mr Majeika to try to outwit her...

As a rule, magic carpets don't turn up in schools, but this is exactly what happens when Class Three s new teacher flies in through the classroom window and lands on the floor with a bump. Mr Majeika can behave just like any ordinary teacher if he wants to, but something has to be done about Hamish Bigmore, the class nuisance, and so he uses a little magic to turn him into a frog. And to everyone's delight it looks as if Hamish will have to remain a frog because Mr Majeika can't remember the spell to turn him back again! With Mr Majeika in charge, suddenly life at school become much more exciting there's even a magic-carpet ride to Buckingham Palace!