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Imani Perry recenters patriarchy to contemporary discussions of feminism through a social and literary analysis of cultural artifacts-ranging from nineteenth-century slavery court cases and historical vignettes to literature and contemporary art-from the Enlightenment to the present.
Asserts that the U.S. is in a new and distinct phase of racism that is post-intentional, neither based on intentional discrimination nor drawing upon biological concepts of race
Focuses on the socially relevant aspects of Hip Hop music: its treatment of the identity of the black subject in a white society, new definitions of blackness and its commercialization.
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