Join thousands of book lovers
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.You can, at any time, unsubscribe from our newsletters.
Isabel Hofmeyr traces the relationship between print culture, colonialism, and the ocean through the institution of the late-nineteenth- and early twentieth-century British colonial custom houses, which acted as censors and pronounced on copyright and checked imported printed matter for piracy, sedition, or obscenity.
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.