Books by J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing's reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 19101919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and closing dates Number of performancesOther details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the materialin particular, information on adaptations and translations, plot sources, and commentsis new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 19101919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1940 to December 31, 1949. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.

This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1930 to December 31, 1939. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing's reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 18901899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and Closing Dates Number of PerformancesOther details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Alice in Wonderland, Arms and the Man, Cyrano de Bergerac, An Ideal Husband, The Prisoner of Zenda, and The Second Mrs. Tanqueray, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the materialin particular, information of adaptations and translations, plot sources, and comment informationis new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 18901899 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

This is a day-by-day calendar of plays produced at the major London theatres from January 1, 1920 to December 31, 1929. Covering dozens of west-end theatres and including production details of thousands of plays, operas, and ballets, this revised edition provides expanded or new information about authors, actors, plots, reviews, and more.

For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing's reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and Closing Dates Number of PerformancesOther details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the materialin particular, information of adaptations and translations, plot sources, and comment informationis new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

In 1979, Scarecrow Press published J. P. Wearing¿s American and British Theatrical Biography: A Directory, which enabled users to quickly locate biographical information about figures¿both major and minor¿who are or were connected with British and American theatre. In American and British Theatrical Biographies: An Index, Wearing has revised and extensively expanded the previous work.This edition draws upon more than 130 sources and 500 volumes that have been surveyed and indexed, providing information on more than 90,000 individuals from the earliest times to the present. For each person listed in the index, the following is provided where available:·Name (with cross-references to stage names, pseudonyms, etc.)·Birth and death date·Nationality·Theatrical occupation(s)·Codes to sources containing more extensive biographical informationWhile the focus of the index is on American and British figures working in live theatre before paying audiences, ¿foreign¿ personalities are included when the sources surveyed make some mention of their contribution to the British or American theatre. American and British Theatrical Biographies: An Index also embraces the spheres of ballet, opera, music, circus, and music halls. This comprehensive index is a useful source for scholars, theatrical personnel, theatre students, librarians, writers, and theatre historians.