Books by James H. Johnston

Late in life, former President Lyndon Johnson told a reporter that he didn¿t believe the Warren Commission¿s finding that Lee Harvey Oswald acted alone in killing President John Kennedy. Johnson felt Cuban President Fidel Castro was behind it. After all, Johnson continued, Kennedy was running ¿a damned Murder, Inc. in the Caribbean,¿ giving Castro reason to retaliate. Surprisingly, despite continuing public fascination with the CIA and with Kennedy¿s assassination, no one has written about Murder, Inc. and its connection with Kennedy¿s death. James Johnston was a lawyer for the 1975 Senate Intelligence Committee, which investigated and first reported on the assassination plots and their relation to Kennedy¿s murder, and so brings a special expertise to the subject. Murder, Inc. is a chronological narrative of the CIA¿s assassination operations from their start, a few months before Kennedy took office, to their end with Kennedy¿s assassination. It continues through the many subsequent investigations. The book is sourced largely from the National Archives¿ huge holdings on the Kennedy assassination that have been declassified under the Assassination Records Review Act. While some proponents of the Act expected the secret documents would contain bombshells about the assassination, many deal instead with Murder, Inc. n a nutshell, the story is that in 1960, the CIA engaged the Mafia to kill Castro. One CIA officer termed it simply a ¿contract.¿ This arrangement continued through the October 1962 Cuban Missile Crisis. Frustrated by the lack of results, Kennedy ordered the Agency to come up with a better plan. By the spring of 1963, it proposed that rather than kill Castro, it would orchestrate a coup to overthrow him. This plan moved into high-gear in September 1963 when the CIA began meeting secretly outside Cuba with a friend of Castro who was willing to lead the coup. But, he also said they would need to kill Castro and asked the CIA to provide him with assassination weapons: rifles with telescopic sights and an exotic poison dart-gun. The CIA put off agreeing until four days before Kennedy was killed. As a result, it was meeting with the Castro assassin to arrange delivery of the weapons at the very moment Kennedy was assassinated in Dallas. Within weeks of becoming President, Lyndon Johnson ordered the operation stopped. His Murder, Inc. comment is an obvious reference to what he was told before making this decision.

';Part historical narrative, part genealogical detective work,' this is the true story of an African American family in Maryland over six generations (Library Journal). Using diaries, court records, legal documents, books, paintings, photographs, and oral histories, From Slave Ship to Harvard traces a familyfrom the colonial period and the American Revolution through the Civil War to Harvard and finally todayforming a unique narrative of black struggle and achievement. Yarrow Mamout was an educated Muslim from Guinea, brought to Maryland on the slave ship Elijah. When he gained his freedom forty-four years later, he'd become so well known in the Georgetown section of Washington, DC, that he attracted the attention of the eminent portrait painter Charles Willson Peale, who captured Yarrow's visage in the painting on the cover of this book. Yarrow's immediate relativeshis sister, niece, wife, and sonwere notable in their own right. His son married into the neighboring Turner family, and the farm community in western Maryland called Yarrowsburg was named for Yarrow Mamout's daughter-in-law, Mary ';Polly' Turner Yarrow. The Turner line ultimately produced Robert Turner Ford, who graduated from Harvard University in 1927. Just as Peale painted the portrait of Yarrow, James H. Johnston's new book puts a face on slavery and paints the history of race in Maryland, where relationships between blacks and whites were far more complex than many realize. As this one family's experience shows, individuals of both races repeatedly stepped forward to lessen divisions, and to move America toward the diverse society of today.