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A masterly work of American film and cultural history by a critic who, "like Pauline Kael, has the gift of describing actors with terrific acuity."-New York Times
Drawing on case studies of films including Charlie Kaufman's Synecdoche, New York, Nuri Bilge Ceylan's Climates and John Akomfrah's The Nine Muses, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it?
"In 1934 four movies-- It Happened One Night, Twentieth Century, The Thin Man, and The Gay Divorcee --ushered in the golden age of the Hollywood romantic ("screwball") comedy. Slangy, playful, and "power"
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