Books by James Hay

The Man Who Forgot is an alcoholic who got himself to a point where he is unable to recall his own name or anything at all about his past. After a sobering experience that changes his life, he decides to forever give up drinking and turns temperance evangelist. Getting listed as John Smith, he dedicates his life to fight against alcohol and becomes dazzling agitator for nationwide prohibition. Smith campaigns across Washington preaching soberness, believed to be the truly great man... James Hay, Jr. (1881-1936) was American novelist and journalist, born in Harrisonburg, Virginia. Most of his books are crime mysteries and detective stories, some of which are set in Asheville, place where he spent part of his life, and worked as an editor in the Asheville Citizen magazine. Some of his other detective novels have their settings in Washington, where Hay spent his final years. Hay was the founder of the National Press Club, and had friendly relations with presidents Wilson and Taft.

Ruth Marden was disappointed with her marriage and her husband George whose affairs with other women led them to a verge of divorce, but his relationship with Marjorie Nesbit was the thing that troubled Ruth the most. Ruth feelings towards Marjorie became more severe, after her close friend Charlie Corcoran also fell in love with her. After a party thrown by Ruth and George, Marjorie is found dead. Many are suspected and Charlie is accused, but old family friend Dr. Doyle stumbles upon an unexpected revelation. James Hay, Jr. (1881-1936) was American novelist and journalist, born in Harrisonburg, Virginia. Most of his books are crime mysteries and detective stories, three of which are set in Asheville, place where he spent part of his life, and worked as an editor in the Asheville Citizen magazine. Some of his other detective novels have their settings in Washington, where Hay spent his final years. Hay was the founder of the National Press Club, and had friendly relations with presidents Wilson and Taft.

This study offers a reassesment of the "audience". It acknowledges, in the face of conventional "discourse analysis", the contextual features of discourse, to produce complex and textured understanding of the concept of audience.

"This book offers a major reconceptualization of the term "audience," one which involves a landscape, including the landscape of a given audience--situated and territorializing features of any way of se"