Books by James Henry

A body on an embankment. A blast at a farmhouse. A burden on Colchester CID - the second Essex-based thriller from the bestselling author of Blackwater and First Frost

Wingfield's A TOUCH OF FROST, for anyone who loved watching David Jason as Jack Frost, and readers of sharply plotted detective crime novels. He's been staying with Detective Constable Sue Clarke but with a baby to take care of and the imminent arrival of her mother, she's given him his marching orders.

'A fast-moving thriller with strong characters, dark humour and a terrific sense of place. I was totally absorbed by it' Elly Griffiths

5 October 1982. It's been one of the worst days of Detective Sergeant Jack Frost's life. All, that is, apart from DC Sue Clark, who spends the night pursuing a bogus tip-off, before being summoned to the discovery of a human hand. Frost is on the case, but another disaster - one he is entirely unprepared for - is about to strike .

Following a medical career, James Henry (1798-1876) focused on the study of Virgil's Aeneid, visiting libraries across Europe. Prepared for press by others after his death, this monumental multi-volume commentary, published between 1873 and 1892, remains a landmark in Virgilian scholarship. Volume 5 (1892) comprises the indexes.

'Frost is back - this is a brilliant read, I can't recommend it highly enough' Martina ColeDenton, 1981. Detective Sergeant Jack Frost is working under his mentor and inspiration DI Bert Williams, and coping badly with his increasingly strained marriage.

The second in the prequel series to R D Wingfield's A TOUCH OF FROST, for fans of David Jason's Jack Frost and crime-fiction readers. May, 1982.

James's correspondents included presidents and prime ministers, painters and great ladies, actresses and bishops, and the writers Robert Louis Stevenson, H.G. Wells and Edith Wharton. This fully-annotated selection from James's eloquent correspondence allows the writer to reveal himself and the fascinating world in which he lived. The letters provide a rich and fascinating source for James' views on his own works, on the literary craft, on sex, politics and friendship. Together they constitute, in Philip Horne's own words, James' 'real and best biography'.