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"e;My masters will follow the example of Rome... our mighty empire bestraddling the whole of civilization!"e;It is AD 79, and the TARDIS lands in Pompeii on the eve of the town's destruction. Mount Vesuvius is ready to erupt and bury its surroundings in molten lava, just as history dictates. Or is it?The Doctor and Donna find that Pompeii is home to impossible things: circuits made of stone, soothsayers who read minds and fiery giants made of burning rock. From a lair deep in the volcano, these creatures plot the end of humanity - and the Doctor soon finds he has no way to win...
Clare Corbett reads this new novelisation of the TV adventure featuring the Tenth Doctor and Donna. "My masters will follow the example of Rome... our mighty empire bestraddling the whole of civilization!" It is AD 79, and the TARDIS lands in Pompeii on the eve of the town's destruction. Mount Vesuvius is ready to erupt and bury its surroundings in molten lava, just as history dictates. Or is it? The Doctor and Donna find that Pompeii is home to impossible things: circuits made of stone, soothsayers who read minds and fiery giants made of burning rock. From a lair deep in the volcano, these creatures plot the end of humanity - and the Doctor soon finds he has no way to win... Clare Corbett reads James Moran's novelisation of his 2008 TV episode which starred David Tennant and Catherine Tate. Reading produced by Neil Gardner at Ladbroke Audio Sound design by David Darlington Executive producer: Michael Stevens©2022 BBC Studios Distribution Ltd (P)2022 BBC Studios Distribution Ltd
This book examines the role of civil law in determining mental capacity over a five hundred year period in England and in New Jersey. -- .
With a focus on gender, this exploration since William Thompson's 1967 classic, "The Imagination of an Insurrection", offers insights into the studied theatricality of the Rising. This book argues that the Rising set out to proclaim sexual equality as well as political independence, but that, the rebels' radical ideas about gender were ignored.
These essays make fresh interventions in modernist studies and acknowledge the legacies of regional modernisms for post-war representations of place and landscape. They answer the question, 'where did literary modernism happen?' in the light of recent developments in literary geography and literary history across many literary forms.
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