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No dramatist has treated identity in as many ways and in such depth as William Shakespeare. In Shakespeare's Identities, James Driscoll shows how the Bard used history, comedy, tragedy, and romance to develop comprehensive treatments of personal identity.
Literary critic and philosopher James Driscoll presents original arguments for the existence and nature of God. He traverses the boundaries of art, philosophy, psychology, and religion to draw on Shakespeare, Carl Jung, and A.N. Whitehead to define and illuminate the interconnections of God and time.
The book's glossary of Jungian terms, written for literary critics and theologians rather than clinicians, is exceptionally detailed and insightful. Beyond enriching our understanding of Jung and Milton, Driscoll's discussion contributes to theodicy, to process theology, and to the study of myths and archetypes in literature.
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