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Since the Armistice, a vast literature has been produced on the First World War and its repercussions. In this 2005 book, two leading historians from the United States and France have produced a fully comparative analysis of the ways in which this history has been written and interpreted. The book identifies three generations of historians, literary scholars, film directors and writers who have commented upon the war. Through a thematic structure, it assesses not only diplomatic and military studies but also the social and cultural interpretations of the Great War as seen primarily through the eyes of French, German and British writers. It provides a fascinating case study of the practice of history in the twentieth century and of the enduring importance of the national lens in shaping historical narrative. This interesting study will prove invaluable reading to scholars and students in history, war studies, European history and international relations.
This book presents a panoramic history of transformations in our global imaginings of war from 1914 to the present. It charts a century's meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right.
Through the biography of one extraordinary man at the centre of the human rights movement, this book reveals how the political and intellectual movement emerged from the experiences of a generation who endured two world wars, and gained the momentum to ultimately enshrine the Universal Declaration of Human Rights.
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