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A work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century.
Rejecting not only the identification of the aesthetic with the work of art, but also the Kantian association of the aesthetic with subjectively universal judgment, the author's analysis of aesthetic relations opens up a space for a theory of art that is free of historicism and capable of engaging with noncanonical and non-Western arts.
An exploration of the ways fiction mimics the real and the links between cyber realities, fiction, and human beings. It also explores the foundations of mimeticism in order to explain the important effect fiction has on human beings.
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