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How the wall paintings at the Augustinian monastery of Malinalco promoted the political and religious agendas of the Spanish conquerors while preserving a record of pre-Columbian rituals and imagery.
Spanning some three hundred years, this masterful study of the transmission of the Virgin of Guadalupe from Spain to the Americas and back again explores the subjectivity of seeing and the power of an image at the intersection of religion and politics.
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