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'If you want thrills, Deaver is your man' GuardianNumber one bestselling author and master of suspense Jeffery Deaver returns with the thirteenth Lincoln Rhyme thriller, which sees a crime go global...When a man is snatched from a New York street in broad daylight, the only clue is a miniature noose left on the pavement. By the time criminal forensic scientist Lincoln Rhyme is involved, a video of the missing man is already online, his dying breaths set to a grisly music by someone calling himself The Composer. Rhyme and fellow investigator Amelia Sachs must follow The Composer across the globe as he continues his horrifying creation, kidnapping further victims to add their last breaths to his piece. But with Rhyme and Sachs in a whole new world with its own rules, how can they possibly guess what danger they're in when the music finally stops?'One of the most consistent writers of clever, entertaining and often thought-provoking thrillers in the world' Simon Kernick'The best psychological thriller writer around' The Times'Deaver is a master of plot twists, and they are abundant in this story...essential for fans of the franchise' Daily Mail
***NOW A MAJOR NBC TV SERIES***The first instalment of the bestselling Lincoln Rhyme series and inspiration for the 1999 thriller movie starring Angelina Jolie.Their first case, their worst killer...New York City has been thrown into chaos by the assaults of the Bone Collector, a serial kidnapper and killer who gives the police a chance to save his victims from death by leaving obscure clues. Baffled, the cops turn to the one man with a chance of solving them - Lincoln Rhyme.Left paralysed by a debilitating accident, ex NYPD cop Rhyme has to dig deep into the only world he has left - his astonishing mind - to have any hope of solving the case. With the help of a young police officer, Amelia Sachs, he starts to close in on the killer. But as he edges closer to the truth, the Bone Collector is closing in on Lincoln Rhyme himself.'This is a novel that will chill your blood on the warmest day of any summer holiday. Keep looking over your shoulder . . .' - Independent on Sunday
Lincoln Rhyme is back - and from his New York townhouse, he and Amelia Sachs must contend with a killer who seems to be targeting couples just as they start out on their lives together.
I can make good bad and bad badder, and most fun of all, really bad seem good.' Jeffrey Deaver. And that is exactly what he does in this superb collection. In 'Beautiful', former supermodel Kari's stalker has followed her through retirement to her new small town home. The police can do nothing. The only thing that will end the nightmare is the stalker's death or her own. In the Edgar-nominated 'Triangle', Pete finds a true crime book - and uses the lessons contained therein to kill Mo's lover. The award-winning 'without Jonathan' introduces us to Marissa, about to go on the first date of her life since she married Jonathan, with a man she met through the personals. As she wonders whether she will ever truly fall in love again, the man she is about to meet is killing a housewife in another part of town... And in the brand-new 'The Christmas Present', we see a side of Lincoln Rhyme we've never met before.
Location scouting is to the film business what Switzerland is to war.John Pellam had been in the trenches of filmmaking, with a promising Hollywood career - until tragedy sidetracked him. Now he's a location scout, travelling the country in search of shooting sites for films. When he rides down Main Street, locals usually clamour for their chance at fifteen minutes of fame.But in a small town in upstate New York, Pellam experiences a very different reception. His illusionary world is shattered by a savage murder, and Pellam is suddenly centre stage in an unfolding drama of violence, lust and conspiracy in this less-than-picture-perfect locale.
Back in 1988, a young author emerged onto the crime scene with a fresh and inspiring New York crime series starring a young aspiring film-maker - Rune. The series quickly established their author as one to watch. In this opener, Rune becomes the obsessed with the murder of one of the customers at her video store. Mr Kelly had been renting the classic noir movie - MANHATTAN IS MY BEAT - over and over again and she swiftly becomes convinced that the secret to his brutal death is hidden in its black-and-white frames. But what she doesn't realise is that her interest is going to bring her far close to the killer than she ever could have wanted.
Rune seems to have finally made the first real step towards her dreams - she has secured a job working for a major network news department. From there, he career as a budding documentary maker can really take off. However, nothing in Rune's life is ever that simple. She quickly becomes fascinated by the brutal murder of the network boss, and just as swiftly comes to the conclusion that the guy in the frame for the crime must be innocent. This, despite the mountain of evidence against him. But, trying to prove his innocence starts to become hazardous to her own health when a hitman comes to town with her name on a contract... Full of twists and turns, and with a incredibly engaging central character, this is classic Deaver...
She calls herself Rune. She lives a downtown life and works running errands for a couple of documentary filmakers. At twenty-one, she's nowhere, and that's not where she wants to be. So, armed with a borrowed Betacam, she embarks on a freelance career of making movies herself. Unfortunately her first attempt - within the hallowed walls of the XXX Velvet Venus Theatre - was unexpectedly interesting. A bomb takes out half the cinema and a number of patrons. Rune, however, sees the possibilities and decides to track the culprit through the New York underworld - with her camera in tow, as well as Bomb Squad Detective Sam Healy. And thus begins her journey into the heart of the city of neon nightmares...
Move over Bonnie and Clyde . . . Hollywood location scout John Pellam thought the scenic backwater town of Maddox, Missouri, would be the perfect site for an upcoming gangster film. But after real bullets leave two people dead and one cop paralysed, he's more sought after than the Barrows gang.Pellam had unwittingly wandered onto the crime scene just moments before the brutal hits. Now the feds and local police want him to talk. Mob enforcers want him silenced. And a mysterious blonde just wants him. Trapped in a town full of sinister secrets and deadly deceptions, Pellam fears that death will imitate art, as the film shoot - and his life - race toward a breathtakingly bloody climax.
Paul Schumann is a mobster hitman known equally for his brilliant tactics and for taking only righteous jobs. When a hit goes wrong and Schumann is nabbed, he s offered a stark choice. He can travel to Berlin and kill the man behind Hitler s rearmament scheme, and walk free forever. Or be sent to the electric chair. The instant Paul sets foot in Berlin, his mission goes awry. For 48 hours, as the city prepares for the coming Olympics, Schumann stalks Reinhardt Ernst while a dogged criminal police officer and the entire Third Reich apparatus search frantically for the American. Danger and betrayal lurk everywhere. It s a cat-and-mouse chase, with Schumann both cat and mouse, and a man who thinks he has nothing to lose Packed with fascinating period detail and featuring a cast of perfectly realised characters, GARDEN OF BEASTS delivers breathtaking action, a wrenching look at Nazi-era Berlin, and Jeffery Deaver s most stunning series of surprises yet.
DEAVER. DANGEROUSLY GOOD.Imagine you're in a bar. A man approaches you. He doesn't seem familiar but he knows your past, your job, your hobbies and your ex-boyfriend's name. You go for a drink. This is your first - and last - mistake. You're the latest victim of the latest killer. A man who can rip away the thin carapace protecting the secrets of your life - before ending it. Streetwise cop Frank Bishop has been charged with the job of halting the mounting body count. He enlists the help of Wyatt Gillette, a young hacker on the wrong side of the law.They must stalk this faceless criminal through both the real and the virtual universe, combining their old and new world skills to beat the mastermind. But how do you stop a man who knows your every move? You go into the blue nowhere...'One of the world's best plotters - his intricate twists and turns catch out even the hardened thriller reader' Daily Mail
DEAVER. DANGEROUSLY GOOD. 9am, 31st December. A man gets onto the packed escalator of a metro station and fires a silenced machine gun through a paper bag. He escapes without being spotted in the chaos that follows. A note is delivered to the mayor of Washington, D.C., demanding $20 million, or the writer will instruct the gunman to strike again, at 4 pm, 8 pm and midnight. The mayor decides to pay up. But then a man is killed in a hit and run accident - and his fingerprints match the ones on the note.With the brains behind the operation dead, there's no way of stopping the gunman killing again, and again, and again... The only evidence the FBI have is the note. And Parker Kincaid, forensic document expert, is the only man who can stop the killer. But he's running out of time... 'Deaver is a terrific storyteller, and he takes the reader on a rollercoaster of suspense, violence and mystery' Daily Telegraph
The countdown begins at noon . . . A school bus stops at a car crash on an isolated road. The two teachers and their deaf students are immediately captured by three escaped convicts. Stark against the prairie stands an ancient slaughterhouse that still reeks of decades of spilled blood. It is here that the killers will bring their hostages.It is here that they will kill one innocent girl an hour, on the hour, until their demands are met
Tate Collier, once one of the finest trial lawyers in the county, is now a divorced gentleman farmer in rural Virginia, trying to forget the past.Aaron Mathews, a brilliant psychologist, has turned his talents to far deadlier goals than curing patients: he's targeted Tate, his ex-wife and his estranged daughter for unspeakable revenge.As Mathews's terrifying plan unfolds, it will destroy the lives of this troubled family and anyone who tries to stop him. Tate and his ex-wife must reunite to stop a psychopath whose gift of a glib tongue and talent for coercion and deceit are as dangerous as knives and guns . . .
DEAVER. DANGEROUSLY GOOD.Michael Hrubek, a young schizophrenic, has escaped from a hospital for the criminally insane. And he's making his way towards Lis Atcheson, the teacher who testified at his trial.Four people are racing to intercept him before he finds her. His psychiatrist; the hospital director; a professional tracker. And Lis's husband, who plans to stop Hrubek before the madman reaches his wife.But Michael's mind - with its delusions of murder and betrayal - is crystal clear about one thing. He knows Lis better than she knows herself. And he carries with him a monstrous secret that will tear apart many lives in the course of one horrifying night...'Seldom have more twists and turns, or more harrowing suspense, been packed into a single day - or between the covers of a single book...Superior' James Patterson
DEAVER. DANGEROUSLY GOOD. When Detective Bill Corde looks at the beautiful face of the murdered girl in the mud, he does not know his own life is about to turn into a terrifyingly real nightmare. For the girl's killer is now on the trail of Corde and his unsuspecting family: his wife, teenage son, and imaginative but vulnerable daughter, Sarah. Sarah, who alone knows the identity of the killer...The lesson Bill Corde is about to learn - the lesson of her death - is an education that no one will ever forget.'The best psychological thriller writer around' The Times
DEAVER. DANGEROUSLY GOOD. Taylor Lockwood spends her days working as a paralegal in one of New York's pre-eminent Wall Street law firms and her nights playing jazz piano anywhere she can. But the rhythm of her life is disrupted when attorney Mitchell Reece asks her to find a stolen document that could cost him the multimillion dollar case he's defending... and his career as well.Taylor signs on... only to find that as she delves deeper and deeper into what goes on behind closed doors at Hubbard, White & Willis, she uncovers more than she wants to know - including secrets damaging enough to smash careers and dangerous enough to kill for. But who is capable of going to that extreme? With her life on the line, Taylor is about to learn the lethal answer...'If you want thrills, Deaver is your man' Guardian
The first gripping mystery in the Kathryn Dance series from master of suspense, and author of the Lincoln Rhyme novels, Jeffery Deaver.California Bureau of Investigation Special agent Kathryn Dance is an expert in kinesics: the science of interpreting behaviour. It makes her a brilliant interrogator. But she's up against Daniel Pell, a master of control who mesmerises, seduces and exploits people for his own murderous ends. A convicted killer who is known as The Son of Manson for the chilling parallels between him and the notorious ritual murderer. To track down Pell before he destroys yet more lives, Kathyn Dance must enlist the help of four people from the killer's past. The three women who lived under his sadistic sway in the cult he once headed. And the young girl known as the Sleeping Doll, the only survivor of her family's slaughter at Pell's hands ...
The fourth electrifying thriller in the Kathryn Dance series from master of suspense Jeffery Deaver.One mistake is all it takes.Busted back to rookie after losing her gun in an interrogation gone bad, California Bureau of Investigation Agent Kathryn Dance finds herself making routine insurance checks after a roadhouse fire.But Dance is a highly trained expert in body language: her most deadly weapon is her instinct, and they can't take that away from her.And when the evidence at the club points to something more than a tragic accident, she isn't going to let protocol stop her doing everything in her power to take down the perp.Someone out there is using the panic of crowds to kill, and Dance must find out who, before he strikes again . . .
They have never seen a murder like it - but something about this killer is all too familiar... A new type of serial killer is stalking the streets of New York - one more devious and disturbing than ever before. A talented tattoo artist is using poison instead of ink. His victim is a young woman. And on her skin he's left a message: 'the second'. Processing the scene, NYPD detective Lincoln Rhyme and his associate Amelia Sachs find just one trace of evidence. A scrap of paper that connects this case with one they will never forget: the killer they called The Bone Collector...'Outstanding . . . Deaver proves himself a grandmaster of the genre as each surprise leads to an even bigger surprise, like a series of reverse Russian nesting dolls.' - Starred Review, Publisher's Weekly
DEAVER. DANGEROUSLY GOOD.You wait, desperately, for news of your daughter.At last, the door opens.But it is not the negotiators, or the FBI.It is her kidnapper.And he has a gun . . .Two days ago, life was normal.How did it end like this?Every crime scene begins at the end. To know what happened, you must work backwards, piecing together the events that came before. The ultimate thriller writer, Jeffery Deaver puts your brain - and your nerves - to the ultimate test with The October List, in a masterful mystery that unfolds from the end back to the beginning with many a breath-taking twist along the way.'Deaver's most fiendish thriller ever. . . as the pace quickens and the story continues to backtrack, solid evidence, established plot points and sturdily built characters all begin to come undone, until what started out as an interactive game becomes a truly unnerving exercise in deception' New York Times
***NOW A MAJOR NBC TV SERIES***Lincoln Rhyme and Amelia Sachs will do anything to uncover the truth, so they must enter The Kill Room. 'THE KILL ROOM is full of his trademark twists, breathless suspense and ironic humour. It is a thriller of 'bits, scraps, observations (and) 180 degree changes in direction' which never cheats the reader, so that the only response can be sighs of satisfaction and admiration.' - The Evening StandardA sniper shot from a near-impossible distance. Evidence that the order came from the highest levels of US government. A New York DA who won't let it go.Lincoln Rhyme and Amelia Sachs will risk everything to uncover the truth. But there is no crime scene investigation, no evidence, and no co-operation from the local Bahamian police.No strangers to controversy, their reputation for seeing what others miss is unparalleled, and ambitious attorney Nance Laurel knows they will risk everything - even their lives - to seek the truth . . .But first, they must enter The Kill Room.
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