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That Which I Touch Has No Name is dialogic, an attempt to unearth the equilibrium between the blank page and the self in urban and rural places. This multilingual, polyphonic book is an inking, a verbal construction, gnawing away at its own predecessors, at the way we read, and at language itself.
In Jennifer K. Dick's ""Fluorescence"", very real places - Paris, Massachusetts, Colorado, Iowa, Morocco - mix into the imagined, into Breughelian villages where there's ""a persimmon in the corner knitting"".
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