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Jenny Sharpe brings the historical memory of the 1857 Indian Mutiny to bear upon the theme of rape in British and Anglo-Indian fiction. She introduces race and colonialism to feminist theories of rape and sexual difference.
In this innovative study, Jenny Sharpe moves beyond the idea of art and literature as an alternative archive to the historical records of slavery and its aftermath. Immaterial Archives explores instead the intangible phenomena of affects, spirits, and dreams that Caribbean artists and writers introduce into existing archives.
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