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John Rich (1692-1761) was a profoundly influential figure of the eighteenth-century London stage. As producer, manager, and performer, he transformed the urban entertainment market, creating genres and promotional methods still with us today. This volume gives the first comprehensive overview of Rich's multifaceted career, appreciation of which has suffered from his performing identity as Lun, London's most celebrated Harlequin. Far from the lightweight buffoon that this stereotype has suggested, Rich-the first producer of The Beggar's Opera, the founder of Covent Garden, the dauntless backer of Handel, and the promoter of the principal dancers from the Parisian opera-is revealed as an agent of changes much more enduring than those of his younger contemporary, David Garrick. Contributions by leading scholars from a range of disciplines-theatre, dance, music, art, and cultural history-provide detailed analyses of Rich's productions and representations. These findings complement Robert D. Hume's lead article, a study that radically alters our perception of Rich.Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Including more than 70 works of Hogarth as musical references, this book examines the evidence for Hogarth's interest in music and shows how musical details in his works may often be interpreted as part of his satirical weaponry. Illustrated with Hogarth's paintings, it includes indices of Hogarth's instruments and works, and more.
Behind enemy lines, Jedi Knight Aayla Secura's covert mission is threatened by an encounter with Shon-Ju-a former Padawan turned cult leader. Shon-Ju claims to be after the same Separatist warlord that Aayla was sent to capture, but he also has plenty of reasons to hate the Republic and the Jedi. The Force is with Aayla, but she may need more than
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