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Janet Ennis tragically died five years ago in what the police labeled an accidental fire. But Janet's mother, Nora, believes it to be murder and arson. And she's hoping ex-cop Michael McLaren can prove it quickly, for she's losing her memory to dementia. As McLaren pokes through the case details, he becomes emotionally involved with the dead woman. Yet, Janet isn't the only person who threatens his mental well-being. A series of arsons on his own property hint that he's upset someone connected with this case. Motives for Janet's murder rise like the smoky tendrils of a fire. And, motive aside, the murder scene seems a bit too pat: a drought-stricken landscape eager to lap up flames and a conveniently locked door barring Janet's escape. Will McLaren solve the case while Nora can still comprehend the resolution, or will Harvester's plans see McLaren's career go up in smoke?
Since infancy, Michael McLaren has been the target of his paternal grandfather's anger. So when the patriarch sends an invitation to heal the rift, McLaren travels to Scotland, eager to meet and finally end the feud. But the welcome never happens. If Grandfather hadn't invited him, who had? And why? In Edinburgh, a man standing beside McLaren in a bus queue is killed in a hit-and-run accident. After an attack leaves McLaren for dead on a wintry moor, he's convinced someone from his past is trying to murder him. As McLaren trails the hit-and-run driver from the medieval 'underground city' of Edinburgh to the Boar's Rock, the MacLaren Clan's ancestral meeting place, the assaults intensify, and he's plunged into a very personal hunt for a World War II treasure. The puzzle is fascinating; he just has to stay alive to solve it.
One year ago, Marta Hughes won a purse-choking sum of money at a local casino. She never returned home. Her body was discovered in a ditch twelve miles from her home; her car was back in her driveway. Linnet Isherwood cannot let her friend's unsolved murder rest. She convinces ex-cop Michael McLaren to return to the work he loves. He sifts through a confusing web of lies, misconceptions and veiled motives. Are anonymous late-night phone calls, a vanished hitchhiker, and a stalker wielding empty beer bottles somehow related to the case? Or maybe the woman he broke off with is seeking revenge.
Luke Barber went missing from his village, leaving no clue to his whereabouts or why he left. Now, three years later, Luke's father hopes ex-cop Michael McLaren can find a trace of Luke, alive or dead. As McLaren pokes through the case details, he wonders if the pressure of succeeding in tennis or music, or his upcoming marriage, was too much for the lad and he simply ran away. And McLaren's suspicion may be correct, for he soon is assaulted and left for dead-a hint that he's upset someone connected with this case. McLaren unearths the lies and false identity shoved at him, and uncovers what became of Luke, a discovery aided by idolatrous love and an ancient stone man.
One dark night, popular singer Kent Harrison goes missing after his performance at Tutbury Castle. When his body's found in a forest, the police investigation focuses on Kent's ex-wife, a local herbalist, a covetous colleague, and even the curator of another castle who tried to lure Kent into performing there. But his occasional singing partner, Dave Morley, seems to have the biggest motive. He's dying to make his name, money, and the big time, especially at the medieval Minstrels Court reenactment, where Kent's appearance guarantees standing room only. Did Dave murder Kent to eliminate the competition...or had their partnership struck a wrong chord? To entice him into investigating, ex-cop McLaren's girlfriend plays detective. But Dena ends up in great danger. Now McLaren must not only solve Kent's murder but also rescue her, a hard task when a web of jealousy, anger, and lies covers the trails.
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