Books by Joel Selvin

Their music changed pop history, but we’ve never known much about the people who made it…until now. “...a first-hand account of both the kaleidoscopic talent that drove Stone to the top and attracted so many people to him, and the madness that he soon descended into and never truly returned from, a victim of ego, drug abuse sycophants and the era.... It amounts to a definitive history of one of the rock generation’s greatest and most tragic artists.” —Jem Aswad, Variety, “The Best Music Books of 2022” “…the musical trajectory of Sly & The Family Stone, and especially its namesake and leader, Sly Stone (born Sylvester Stewart), makes even the most shocking episode of Behind the Music look like Nickelodeon programming. Esteemed music journo Joel Selvin chronicles the good, the bad, the ugly (and the really ugly), in a new reissue of his 1998 book, Sly & The Family Stone: An Oral History.” —Bob Ruggiero, Houston Press

Rock journalist Joel Selvin tells the story of the Rolling Stones' infamous Altamont concert in San Francisco, the disastrous historic event that marked the end of the idealistic 1960s.

"I don't know where he's buried, but if I did I'd piss on his grave." —Jerry Wexler, best friend and mentorHere Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see twenty–one. Although his name is little remembered today, Berns worked alongside all the greats of the era—Jerry Leiber and Mike Stoller, Ahmet Ertegun and Jerry Wexler, Burt Bacharach, Phil Spector, Gerry Goffin and Carole King, anyone who was anyone in New York rhythm and blues. In seven quick years, he went from nobody to the top of the pops—producer of monumental R&B classics, songwriter of "Twist and Shout," "My Girl Sloopy" and others.His fury to succeed led Berns to use his Mafia associations to muscle Atlantic Records out of a partnership and intimidate new talents like Neil Diamond and Van Morrison he signed to his record label, only to drop dead of a long expected fatal heart attack, just when he was seeing his grandest plans and life's ambitions frustrated and foiled.