Books by John Banville

Don't disturb the dead. On the idyllic coast of San Sebastian, Spain, Dublin pathologist Quirke is struggling to relax - despite the beaches, the cafes and the company of his disarmingly lovely wife.

'The body is in the library,' Colonel Osborne said. 'Come this way.'Following the discovery of the corpse of a highly respected parish priest at Ballyglass House - the Co. Wexford family seat of the aristocratic, secretive Osborne family - Detective Inspector St John Strafford is called in from Dublin to investigate.

From John Banville, one of the world's greatest writers, comes The Blue Guitar, a story of theft and the betrayal of friendship.Adultery is always put in terms of thieving. But we were happy together, simply happy.Oliver Orme used to be a painter, well known and well rewarded, but the muse has deserted him. He is also, as he confesses, a petty thief; he does not steal for gain, but for the thrill of it. HIs worst theft is Polly, the wife of his friend Marcus, with whom he has had an affair. When the affair is discovered, Oliver hides himself away in his childhood home. From here he tells the story of a year, from one autumn to the next. Many surprises and shocks await him, and by the end of his story, he will be forced to face himself and seek a road towards redemption.Shortlisted for the Kerry Group Irish Novel of the Year 2016Praise for Ancient Light:'Everything I want from a love story: sexy, convincing, baffling, funny, sad and unforgettable' Evening Standard, Books of the Year'Illuminating, funny, devastating. A meditation of breathtaking beauty and profundity on love and loss and death' Financial Times

'Sleek, beautiful, breathtakingly cunning prose' Sunday TimesAthena is the third in the Frames Trilogy, a set of loosely connected novels by the Booker Prize-winning author, John Banville. Morrow - a clerkish, middle-aged type encumbered with a chain-smoking dying aunt and a considerable talent for wallowing - is at a loose end when, on two separate occasions, he is beckoned up the stairs of an empty Dublin house. The first is an offer of dubious work, and Morrow soon becomes caught up in a conspiracy to authenticate a series of fake paintings. The second, possibly even odder, is an offer of a love - of a sort. Written in typically luminous prose and featuring a rich cast of characters, Athena is a paean to art, painting, and love, in all its mercurial richness.

Takes us into the hauntingly confused worlds of two ageing male protagonists - washed-up scientist Freddie Montgomery, desperate to explain why he is being held in an Irish prison for murder and recently widowed art historian Max Morden, who has returned to a sleepy seaside boarding house to relive the events of his first adolescent awakenings.

The material collected here is a treasure trove, a fine retrospective and a comprehensive guide to the work of Ireland's greatest living novelist, John Banville. Selections are drawn from all of his novels, up to and including 2012's Ancient Light; each piece standing alone, short-story-like, but also resonating with those around it and representing the novel from which it comes. There are radio plays, some published in print for the first time here. There is a judicious selection of his essays and reviews. Perhaps most beguiling of all are the pieces of memoir, the early work (including Banville's first-ever piece of published fiction, from 1966) and the chance to see facsimiles of the handwritten first draft of the opening section of The Infinities. Possessed of a Past is an extraordinary document of the writer's life and work across nearly fifty years of practice, simultaneously offering the perfect introduction to Banville's sublime art and manna to devoted readers.

A unique anthology devoted to a single story-"Signs and Symbols" by Vladimir Nabokov-which exposes the way we read and interpret short stories.

'Shroud will not be easily surpassed for its combination of wit, moral complexity and compassion. It is hard to see what more a novel could do' Irish TimesDark secrets and reality unravel in Shroud, the second of John Banville's three novels to feature Cass Cleave, alongside Eclipse and Ancient Light. Axel Vander, distinguished intellectual and elderly academic, is not the man he seems. When a letter arrives out of the blue, threatening to unveil his secrets - and carefully concealed identity - Vander travels to Turin to meet its author. There, muddled by age and alcohol, unable always to distinguish fact from fiction, Vander comes face to face with the woman who has the knowledge to unmask him, Cass Cleave. However, her sense of reality is as unreliable as his, and the two are quickly drawn together, their relationship dark, disturbed and doomed to disaster from its very start.

'Banville is superb . . . there are not many historical novels of which it can be said that they illuminate both the time that forms their subject matter and the time in which they are read: Doctor Copernicus is among the very best of them' The EconomistThe first in John Banville Revolutions Trilogy and winner of the James Tait Black Memorial Prize, Doctor Copernicus is a rich historical novel that explores the life of one of history's greatest scientists. The work of Nicholas Koppernigk, better known as Copernicus, shattered the medieval view of the universe and led to the formulation of the image of the solar system we know today. Here his life is powerfully evoked in a novel that offers a vivid portrait of a man of painful reticence, haunted by a malevolent brother and baffled by the conspiracies that rage around him and his ideas while he searches for the secret of life.

The first of John Banville's novels concerning father and daughter Alexander and Cass Cleave, Eclipse is a lyrical exploration of memory, family and identity.Alexander Cleave, actor, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for the future and more particularly for his beloved but troubled daughter, conspire to distract him from his dreaming retirement. This humane and beautifully written story tells the tragic tale of a man, intelligent, preposterous and vulnerable, who in attempting to bring the performance to a close finds himself travelling inevitably towards a devastating denouement.

'A masterly study of grief, memory and love recollected' Professor John Sutherland, Chair of Judges, Man Booker Prize 2005The Sea is John Banville's Man Booker prize-winning exploration of memory, childhood and loss. When art historian Max Morden returns to the seaside village where he once spent a childhood holiday, he is both escaping from a recent loss and confronting a distant trauma. The Grace family had appeared that long-ago summer as if from another world. Mr and Mrs Grace, with their worldly ease and candour, were unlike any adults he had met before. But it was his contemporaries, the Grace twins Myles and Chloe, who most fascinated Max. He grew to know them intricately, even intimately, and what ensued would haunt him for the rest of his years and shape everything that was to follow.

'The Untouchable is an engrossing, exquisitely written and almost bewilderingly smart book . . . It's the fullest book I've read in a very long time, utterly accomplished, thoroughly readable, written by a novelist of vast talent' Richard Ford Victor Maskell has been betrayed. After the announcement in the Commons and the hasty revelation of his double life of wartime espionage, his disgrace is public, his knighthood revoked, his position as curator of the Queen's pictures terminated. There are questions to be answered. For whom has he been sacrificed? To what has he sacrificed his life?The Untouchable is beautifully crafted novel inspired by the famous Cambridge Spies by John Banville, the author of the Booker prize-winning The Sea.

The darkly compelling confession of an improbable murderer, shortlisted for the 1989 Booker Prize.

'A beautiful, beguiling book full of resonances that continue to sound long after you've turned the final page. Its imagining is magical, its execution dazzlingly skilful.' Sunday Tribune Ghosts opens with a shipwreck, leaving a party of sightseers temporarily marooned on an island. The stranded castaways make their way towards the big isolated house which is home to the reclusive Professor Silas Kreutznaer and his laconic assistant, Licht, but it is also home to another, unnamed presence . . . Onto this seemingly haunted island, where a strange singing hangs in the air, John Banville drops an intriguing cast of characters - including a murderer - and weaves a tale where the details are clear but the conclusion polymorphous - shifting appearances, transformations and thwarted assumptions make this world of uneasy calm utterly enthralling.

Kunsthistorikeren Max Morden er vendt tilbage til den kystby, hvor han tilbragte sine ferier som dreng – en retræte fra den sorg, vrede og tomhed, han føler, efter at hans kone nylig er død af kræft. Men det er også en tilbagevenden til det sted, hvor han som 10-11-årig mødte den velhavende ferierende Grace-familie og første gang oplevede kærlighed, sex og pludselig død. Mødet med familien, der bestod af den forførende mor, den herskende far og tvillingerne – Chloe, heftig og ligefrem, og Myles, stum og udtryksløs – viser sig at have haft afgørende betydning for Max og hans skæbne.Sammenvævet med denne historie er minderne om hans kone Anna – om deres liv sammen, om hendes død – og de både betydningsfulde og trivielle begivenheder i hans nuværende liv: Hans relation til sin voksne datter, Claire, der desperat forsøger at vække ham af sorgen, og hans samvær med pensionatets omsorgsfulde værtinde Miss Vavasour og den noget patetiske medlogerende pensionerede oberst."Et mesterligt studie i erindret sorg, minder og kærlighed." – John Sutherland, formand for juryen, Man Booker Prize, 2005"Mesterlig prisvinder. Der er en nærmest dæmonisk kraft i John Banvilles Havet. Selv om Max Morden får svar på nogle af sine spørgsmål derude i det frivillige eksil ved havet, er det ikke nok til at give retning til et liv, der forekommer ham grundlæggende meningsløst. Den smule mening, der er at hente, er i selve overvejelserne om det, og det er netop dem, læseren indvies så intimt i. Den intimitet er der så til gengæld så meget, ja næsten dæmonisk kraft i, at læseren nødvendigvis må konfrontere både fortællerens og egne oplevelser i Banvilles mesterligt udførte beretning om Max Mordens liv og gerninger." – Lars Ole Sauerberg, Jyllandsposten, *****"... de forskellige tidslige planer glider ind og ud af hinanden i denne velskrevne og krævende roman, hvor erindringsspor og associationer dominerer." – Per Krogh Hansen, Berlingske, *****"I Havet står Banvilles stilistiske mesterskab i fuldt flor. Han balancerer flot mellem at lade Max Morden formulere sig skræmmende klart om sin egen fortid og liv med den kræftsyge hustru – samtidig med at Max udstilles, men ikke ukærligt, som lammet af sorg og eksistentiel krise. Det er intens og livsklog litteratur fra en irsk mesterforfatter med 15 romaner bag sig." – Michael Bach Henriksen, Kristeligt Dagblad"Prisvindende lille perle af en roman af den irske forfatter, hvis sprog ejer en særlig poetisk tæthed og skarphed. På sin vis virker hele fortællingen som én lang udånding, skrevet hjertegribende smukt i en træfsikker oversættelse. Banvilles temaer er sorg, sorgbearbejdelse, barndom, menneskelige relationer og erindring." – Sanne Caft, Lektørudtalelse