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John Capgrave's The Life of Saint Katherine, written c. 1463 in Lynn in Norfolk, is, according to the editor, . . . the longest and most intricate Katherine legend written during the Middle Ages, either in Latin or in any vernacular. In telling the story of the life of the virgin martyr, Katherine, Capgrave uses many of the tropes that mark the enormously popular genre of hagiography as it was written throughout the Middle Ages. Given his learning, however, and his evident acquaintance with the works of Chaucer, Lydgate, and Osburn Bokenham, and his knowledge of medieval drama, and the possibility that he knew of The Book of Margery Kempe, this saint's life should be particularly interesting to students of late Middle English culture, especially literature. In the course of his encyclopedic narrative, in which he evidently sought to appeal to a broad audience in sophisticated, if provincial, Norfolk, Capgrave inserts digressions on Greek and Roman history; on just and unjust rule and justifiable vs. unjustifiable rebellion; on child care; on medieval English feasts, jousts, and pageants; and on the role(s) of women.
The Augustinian friar John Capgrave (1393-1464) was one of the most learned scholars of his time. Including the unabridged text with the original spelling preserved, along with an introduction and often intriguing annotations, this scholarly edition of his short history of England was first published in 1858.
The fifteenth-century scholar and Augustinian friar John Capgrave took as his subject the virgin martyr Katherine of Alexandria, who was an anomalous cultural icon, a scholar, and a sovereign whose story unsettled traditional gender stereotypes yet was widely popular throughout Western Europe. Capgrave's Life of Saint Katherine of Alexandria (ca. 1445) stands out among the hundreds of surviving vernacular and Latin narrations about the saint by its intricate plotting, its moral complexity, its obtrusive Chaucerian narrator, and its attention to psychology, history, and theology. The Life of Saint Katherine is a bold literary experiment that transforms the genre of the saint's life by infusing it with conventions and techniques more often associated with chronicles, mystery plays, fabliaux, and romances.In Capgrave's hands, Katherine emerges as a sensitive and studious young woman torn between social responsibilities and personal desires. Her story unfolds in a vividly realized world of political turmoil and religious repression that, as Capgrave's readers were bound to suspect, had everything to do with the England they inhabited and its recent past. Katherine's debate with her lords anticipates arguments for and against female rule that would be made in Tudor England, when the ascensions of Mary I and then Elizabeth I made gynecocracy a political reality, while her debate with the philosophers is a daring exercise in vernacular theology that flouts the censorship then current.Winstead's translation-the first into idiomatic modern English-brings to life Capgrave's sharply drawn characters, compelling plot, and complex, unsettling moral. Its promotion of an informed, intellectualized Christianity during a period known for censorship and repression illuminates the struggle over the definition of orthodoxy that was excited by the perceived threat of Lollard heresy during the fifteenth century. This volume also includes an appendix with passages of Capgrave's original Middle English and literal translations into modern English, providing a valuable tool for teachers and students.
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