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The second revised edition of this study in which Willett sets in context not only Brecht the theatre practitioner but Brecht the writer and man of his time, with chapters on his relationships and attitudes to politics, English and American literature, Expressionism, music, art and cinema, as well as to figures such as Auden, Kipling and Piscator.
This study of Brecht's theatre, first published in 1959, traces his stylistic development as a playwright and stage director through each of his major plays and explains his evolving notion of epic theatre within the political and social climate of the 1920s, Marxism, Nazism and post-war Communism.
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