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Jonathan Gil Harris challenges the way we conventionally understand physical objects. Turning to Renaissance theories of matter, he considers the profound untimeliness of things, focusing particularly on Shakespeare's stage materials.
Sick Economies: Drama, Mercantilism, and Disease in Shakespeare's England teases out the double helix of the pathological and the economic in two seemingly disparate spheres of early modern textual production: drama and mercantilist writing.
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