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In November 1984, a remarkable discussion took place at the Meeting House in Ulm, Germany. It featured the radical artist Joseph Beuys, two professors (of Financial Sciences and Political Economics) and a banker. This title presents a transcript of this debate.
Joseph Beuys' work continues to influence and inspire practitioners and thinkers all over the world, in areas from organizational learning, direct democracy and money forms to art pedagogies and ecological art practices. This work describes Beuys' expanded conception of art and the deeper motivations and insights underlying 'social sculpture'.
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