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This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Alphabet musical et choix de morceaux extraits des oeuvres des musiciens les plus célèbres / par l'abbé J.-M. Tissot, ...Date de l'édition originale: 1871Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
Composed in 1783 for Antonin Kraft, cellist in the court orchestra of Prince Esterhazy, Haydn''s D major cello concerto for cello is more relaxed than its predecessor composed nearly two decades before. Though some authorities considered its authenticity questionable, this was disproved with the discovery of the composer''s manuscript in 1951. Of Haydn''s two cello concertos, this one is more demanding for the cellist than its older sibling in C major (whose manuscript was discovered a decade later). The score offered here is reduced-format version of the performing edition prepared by Clark McAlister first issued in 2010. The large conductor score and orchestra parts are also available for sale from Serenissima Music.
Haydn's "Grosses Te Deum" was probably composed in 1800 for a performance given at Eisenstadt in the fall of that year. Scored with a full orchestral accompaniment, it was first published in 1802 by Breitkopf und Hartel. The score here is a newly engraved vocal score edited by Richard W. Sargeant Jr. - in a format specially designed for maximum readability for choruses. IMSLP page All Music
Joseph Haydn's eleventh mass - entitled Missa in Angustiis or 'Mass in Troubled Times' was composed in the summer of 1798 in the midst of a series of financial cutbacks imposed by his patron, Prince Nokolaus Esterházy II, as a result of the economic turmoil from Napoleon's invasion of Austria the previous year. The wind players of the Esterházy orchestra had been dismissed, and the composer was exhausted and ill in the wake of his preparation and supervision of his oratorio "The Creation". The work was given its premiere on September 23, 1798 at Stadtpfarrkirche near Eisenstadt. The nickname "Lord Nelson Mass" may have resulted from the work being performed at the time of Lord Nelson's visit to the Esterházy palace in 1800. The vocal score reproduced here retains the composer's original virtuosic vocal parts, with the original Latin text and an English translation beneath. The keyboard reduction was probably made by Vincent Novello in the early 19th century. IMSLP page Wikipedia article
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