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"Dark Harvest showcases two decades of Joseph Millar's finest poetic work, including his beloved and award-winning poems centered on the unseen men and women at the margins of American life. Millar's poems don't favor beauty over suffering, nor do they reach for knowledge over mystery-instead, his words carry forward their Whitmanic imperatives: to turn away from nothing, to be awash in contradictions"--
Like Conrad's Marlow, Joseph Millar speaks with fierce compassion and the authority of hard-won experience. In his remarkable third collection, Blue Rust, he lays down "the shield of irony" without taking up the consolations of easy sentiment or detached despair. The result is an unstrained originality: lyrics that avoid the metronome, leaps of imagination in which the associative logic never trails off into self-indulgent incoherence. Millar looks hard at a world that is doomed and beautiful. What sets Blue Rust apart is its ability to honor both sides.
Kingdom extends Joseph Millar's articulate devotion to the astonishments of daily life--their mingled beauty and pain. As in his first three books, Millar, like the late Philip Levine, has a keen eye for the hardscrabble details of working-class lives--from California's wheat fields to the Lehigh Valley to the rooftops of Paris and a host of other locales "down here on earth in the kingdom." Perhaps more fully than any recent book, this one calls to mind Dylan Thomas's assessment that the best poems "show us that we are alone and not alone in the unknown world, that our bliss and suffering are forever shared, and forever all our own." Kingdom shows Millar working at the height of his powers, sifting the "rag and bone shop of the heart" for songs and stories. It's his best book yet.
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