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Long before Sofia Coppolas Lost in Translation, long before Barthes explicated his empire of signs, even before Puccinis Madame Butterfly, Gilbert and Sullivans The Mikado presented its own distinctive version of Japan. Set in a fictional town called Titipu and populated by characters named Yum-Yum, Nanki-Poo, and Pooh-Bah, the opera has remained popular since its premiere in 1885.
A collection of essays that asks readers to reconsider who represents Asian America and what constitutes its history. Defining the early period as spanning the nineteenth century and the 1960s, it speaks to the difficulty of recovering a past that was largely unrecorded as well as understanding the varied experiences of peoples of Asian descent.
Tells us about the complex social and political issues depicted by Asian-American playwrights. In this title, the author argues that playwrights produce a different conception of "Asian-America" in accordance with their unique set of sensibilities.
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