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First serious study of Rodin's late sculptural series known as the Dance Movements (from 1911), comprising essays from leading scholars in the field of sculpture.
Restores Serge Diaghilev's Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s. This study combines a broad history of Diaghilev's troupe with close readings of four ballets designed by canonical modernist artists: Pablo Picasso, Sonia Delaunay, Henri Matisse, and Giorgio de Chirico.
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