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Adventures in Philosophy at Notre Dame recounts the fascinating history of the University of Notre Dame's Department of Philosophy, chronicling the challenges, difficulties, and tensions that accompanied its transition from an obscure outpost of scholasticism in the 1940s into one of the more distinguished philosophy departments in the world today. Its author, Kenneth Sayre, who has been a faculty member for over five decades, focuses on the people of the department, describing what they were like, how they got along with each other, and how their personal predilections and ambitions affected the affairs of the department overall. The book follows the department's transition from its early Thomism to the philosophical pluralism of the 1970s, then traces its drift from pluralism to what Sayre terms "e;professionalism,"e; resulting in what some perceive as a severance from its Catholic roots by the turn of the century. Each chapter includes an extensive biography of an especially prominent department member, along with biographical sketches of other philosophers arriving during the period it covers. Central to the story overall are the charismatic Irishmen Ernan McMullin and Ralph McInerny, whose interaction dominated affairs in the department in the 1960s and 1970s, and who continued to play major roles in the following decades. Philosophers throughout the English-speaking world will find Adventures in Philosophy at Notre Dame essential reading. The book will also appeal to readers interested in the history of the University of Notre Dame and of American higher education generally.
Plato's dialogues are universally acknowledged as standing among the masterworks of the Western philosophic tradition. What most readers do not know, however, is that Plato also authored a public letter in which he unequivocally denies ever having written a work of philosophy. If Plato did not view his written dialogues as works of philosophy, how did he conceive them, and how should readers view them? In Plato's Literary Garden, Kenneth M. Sayre brings over thirty years of Platonic scholarship to bear on these questions, arguing that Plato did not intend the dialogues to serve as repositories of philosophic doctrine, but instead composed them as teaching instruments. Focusing on the dramatic structure of the dialogues as well as their logical argumentation, Sayre's study is organized according to the progression of a horticultural metaphor adopted from the Phaedrus. Sayre illustrates each of these metaphorical "e;stages"e; with a sustained discussion of relevant dialogues, ranging from the very early Apology to the very late Philebus. In the culminating chapter, he applies the insights gained along the way to a new interpretation of Plato's elusive Form of the Good. In addition to a novel answer to the puzzling question: Why did Plato write the dialogues?, Plato's Literary Garden includes an extended discussion of the considerations that most likely led Plato to write in dialogue form, as well as new analyses of key dialogues such as the Meno, the Symposium</i., and the Theaetetus. Providing readers with practical guidelines for the difficult pursuit of trying to read beneath the surface of a Platonic dialogue, this innovative study is sure to open up new perspectives on the dialogues for both the novice and mature scholar.
Contesting much contemporary epistemology and cognitive science, noted philosopher Kenneth M. Sayre argues that, while some cognitive attitudes such as believing take propositions as objects, there are many others (knowing, hoping, fearing, etc.) whose objects are instead states of affairs.
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