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In Set in Stone, Kevin Carey's poems tell stories as dreams, as memories, as rituals, or ceremonies. Carey writes poetry for the everyperson, poetry that deals with memory, loss, and nostalgia in an accessible and honest way. These poems tell stories about growing up and growing older, about loss and victory, giving praise to the moments that pass through our lives and the imprint they leave behind. Carey embraces the mystery of nostalgia, the haunted memories, worn and cemented by time, that string a life together. These are poems of places and of people, both real and imagined. These are poems about summer ponds and barroom nights, basketball and superheroes--poems that remind us of our humanness. These are poems, set in stone, to be chipped away at carefully, revealing the truths hidden underneath.
Anyone who finds solace in the words of the Book of Common Prayer will welcome this companion to its Collects, Epistles, and Gospels, to be used at the Ministration of the Holy Communion, throughout the Year. Written for both the lay and ordained, this thought provoking commentary gives the words of Cranmer and his colleagues renewed meaning in our own time by providing historical context for their composition and reflection on their broader message. This book provides an excellent starting point for sermons or personal contemplation on the readings and prayers that comprise the liturgical year.ΓÇ£CareyΓÇÖs exposition of the biblical readings and Prayer Book collects is careful, thorough, and informed by a well-populated theological and cultural hinterland ... I wholeheartedly commend it and recommend it to every thoughtful Christian.ΓÇ¥ - The Very Reverend Michael Sadgrove, Dean of Durham (from the foreword)Kevin Carey is the Chairman of RNIB, the UK''s leading blindness charity, and a Reader in his parish church. He has been a Member of General Synod, and is a chorister, published poet, and classical music critic.
The tranquil development of the Perpetuan movement is disrupted by Gregg, a former US Secret Service operative and charismatic sex maniac. He subverts Perpetua''s message in a series of aggressive emails, pushing the movement''s non-combative leadership to breaking point.After a series of bizarre and spectacular appearances, Gregg discredits himself and the movement, but is reconciled through the direct intervention of Perpetua. Can the movement survive the ordeal? The Third Testament ends with Damian''s apocalyptic vision and a new liturgy.Unity is the third and final book in The Third Testament for the Third Millennium, a bold re-telling of the New Testament in a 21st Century context, asking Christians to question what they believe and why.Incorporating a dazzling array of artistic styles, convention-breaking use of language and sharply drawn characters, the series draws on its author''s experience of journalism, broadcasting and politics, and on his work as a lay minister in the Church of England. It is profound and funny, moving and edgy, setting out how we might better live together with more self-restraint and less regulation.
Perpetua, a 19 year old girl from South London, says that she is God. She gathers a motley collection of followers and begins her travels, performing miracles and spreading her gospel of unconditional love along the way.Her message provokes a strong and ultimately lethal reaction from Christianity''s warring factions, politicians and journalists bent on profit instead of the truth. Her story is told by four people: Jack, a tabloid journalist; Claire, a social worker; Beth, a media student; and Damian, a theology graduate and Church House intern.Perpetua is the first of three novels in The Third Testament for the Third Millennium, a bold re-telling of the New Testament in a 21st Century context, asking Christians to question what they believe and why.Incorporating a dazzling array of artistic styles, convention-breaking use of language and sharply drawn characters, the series draws on its author''s experience of journalism, broadcasting and politics, and on his work as a lay minister in the Church of England. It is profound and funny, moving and edgy, setting out how we might better live together with more self-restraint and less regulation.
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