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This work gathers commentaries, parodies and reminiscences of Gertrude Stein - one of America's most controversial modernist authors. Her precarious position in the eyes of the American press is examined, and previously unpublished sources are presented.
This is the first study of Wilson to eschew chronology for a topical organization that allows discussion of lyrical themes and musical motifs outside of any prejudicial presumptions about their place in the trajectory of his career.
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