Books by Kris Belden-Adams

This book examines the photography's unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium's ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses.

This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of Eugenics - which first took hold in the United States at Harvard University.