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Portrays an elusive and self-aware writer whose refusal to grant authority to a single perspective even while she recirculated the fundamental assumptions and debates of her era enabled her simultaneously to fulfil and deflect the expectations of the literary marketplace.
Offers a new approach to the study of instalment literature by showing how it embodied a view of life intrinsic to Victorian culture, and suggesting that for the Victorians the publishing format became an essential factor in creating meaning.
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