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Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage.
'Shriver's intelligence, mordant humour and vicious leaps of imagination all combine to make this a novel that is as unsettling as it is entertaining' FINANCIAL TIMESThe brilliant new novel from the Orange Prize-winning author of We Need to Talk about Kevin.It is 2029.The Mandibles have been counting on a sizable fortune filtering down when their 97-year-old patriarch dies. Yet America's soaring national debt has grown so enormous that it can never be repaid. Under siege from an upstart international currency, the dollar is in meltdown. A bloodless world war will wipe out the savings of millions of American families.Their inheritance turned to ash, each family member must contend with disappointment, but also - as the effects of the downturn start to hit - the challenge of sheer survival.Recently affluent Avery is petulant that she can't buy olive oil, while her sister Florence is forced to absorb strays into her increasingly cramped household. As their father Carter fumes at having to care for his demented stepmother now that a nursing home is too expensive, his sister Nollie, an expat author, returns from abroad at 73 to a country that's unrecognizable.Perhaps only Florence's oddball teenage son Willing, an economics autodidact, can save this formerly august American family from the streets.This is not science fiction. This is a frightening, fascinating, scabrously funny glimpse into the decline that may await the United States all too soon, from the pen of perhaps the most consistently perceptive and topical author of our times.
The new novel from the Orange Prize-winning author of We Need to Talk About Kevin.When Pandora picks up her older brother Edison at her local Iowa airport, she literally doesn't recognize him. The once slim, hip New York jazz pianist has gained hundreds of pounds. What happened?Soon Edison's slovenly habits, appalling diet, and know-it-all monologues are driving Pandora and her fitness-freak husband Fletcher insane. After the brother-in-law has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: it's him or me.Rich with Shriver's distinctive wit and ferocious energy, Big Brother is about fat: why we overeat and whether extreme diets ever really work. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.
The first ever story collection from the inimitable Lionel Shriver `Genius' Stylist `Phenomenal' Observer `Brilliant' The Times
From the Orange Prize-winning author of We Need to Talk About Kevin
The first novel from the Orange Prize-winning author of We Need to Talk about Kevin is a compelling and provocative story of love and how we suffer for it.Still unattached and childless at fifty-nine, world-renowned anthropologist Gray Kaiser is seemingly invincible-and untouchable. Returning to make a documentary at the site of her first great triumph in Kenya, she is accompanied by her faithful middle-aged assistant, Errol McEchern, who has loved her for years in silence.When young graduate assistant Raphael Sarasola arrives on the scene, Gray is captivated and falls hopelessly in love-before an amazed Errol's eyes. As he follows their affair with jealous fascination, Errol watches helplessly from the sidelines as a proud and fierce woman is reduced to miserable dependence through miserable dependence.
The new novel from the Orange Prize winning author of We Need to Talk About KevinIrina McGovern's destiny hinges on a single kiss. Whether she gives into its temptation will determine whether she stays with her reliable partner Lawrence, or runs off with Ramsey, a hard-living snooker player.Employing a parallel universe structure, Shriver spins Irina's competing futures with two drastically different men. An intellectual and fellow American, Lawrence is clever and supportive, but rigid and emotionally withdrawn. A British celebrity, Ramsey is passionate and spontaneous, but jealous, undereducated, and prone to pick arguments. Their contrasting characters will colour her other relationships, her career, and the texture of her daily life.If love is always about trade-offs-if every romantic prospect is flawed-how can we ever know whom to choose?
Following the success of 'We Need to Talk About Kevin' and 'The Post-Birthday World', 'A Perfectly Good Family' is coming back into print after being unavailable for years.After having escaped for years to London, Corlis McCrea returns to the grand Reconstruction mansion where she grew up in North Carolina, now willed to the three grown children following the death of their parents. All three want the house.Fiscal necessity dictates that two must buy a third out. Just as she was torn as a girl, the sister must choose between her decent younger brother and the renegade eldest-the black sheep who covets his legacy in order to destroy it. The adult siblings re-enact the deep enmities and loyalties of childhood, as each bids for a bigger slice of the pie.
Following the success of 'We Need to Talk About Kevin' and 'The Post-Birthday World', 'Game Control' is coming back into print after being unavailable for years.Eleanor Merritt, a do-gooding American family-planning worker, was drawn to Kenya to improve the lot of the poor. Unnervingly, she finds herself falling in love with the beguiling Calvin Piper despite, or perhaps because of, his misanthropic theories about population control and the future of the human race. Surely, Calvin whispers seductively in Eleanor's ear, if the poor are a responsibility they are also an imposition.Set against the vivid backdrop of shambolic modern-day Africa - a continent now primarily populated with wildlife of the two-legged sort - Lionel Shriver's 'Game Control' is a wry, grimly comic tale of bad ideas and good intentions. With a deft, droll touch, Shriver highlights the hypocrisy of lofty intellectuals who would 'save' humanity but who don't like people.
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