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In an exploration of antitheatrical incidents from the seventeenth to the twentieth centuries, Lisa A. Freeman demonstrates that at the heart of antitheatrical disputes lies a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
"Lisa Freeman's excellent cultural analysis ... demonstrates that character is a contested site in England's attempt to negotiate a changing sociology of class, gender, and nation even as it retained fundamental forms of patriarchy."-Albion
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