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This engaging book exemplifies the new interdisciplinary field of cognitive cultural studies, demonstrating that collaboration between cognitive science and cultural studies is both exciting and productive.
Presents a discussion of how key concepts from cognitive science complicate our cultural interpretations of "strange" literary phenomena. This title discusses motifs of confused identity and of twins in drama, and science fiction's use of robots, cyborgs, and androids. It reveals the range of key concepts from science in literary interpretation.
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