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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Alfred Tennyson wrote his verse play about the famous English outlaw, and his last book in his lifetime, The Foresters: Robin Hood and Maid Marian, at the request of the America theatre manager Augustin Daly in 1892, when he was 82 years old. Daly, who had met Arthur Sullivan in California, asked him to write the music and Sullivan composed the nine short numbers which comprise the score. Sullivan probably undertook the work out of regard for Tennyson rather than any real enthusiasm for the play itself and tried to persuade Tennyson to make changes. He objected strongly to the title of the play, finding it colourless, and urged Tennyson to change it to Maid Marian, but the elderly poet refused.
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