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A slippery thriller for the stage, about love, power and belief. In a modern world where reality is whatever we imagine it to be, how do we know the stories we tell ourselves are true?
The astonishing new play from the award-winning author of Chimerica and The Children. One life in the hands of 12 women. Rural Suffolk, 1759. Sally Poppy is sentenced to hang for a heinous murder. When she claims to be pregnant, a jury of 12 matrons have to decide whether she's telling the truth, or simply trying to escape the noose.
Alice is a scientist. Jenny is her sister. She lives in Luton. She spends a lot of time Googling. When tragedy throws them together, the collision threatens everyone with chaos. A new play from the award-winning writer of Chimerica.
First collection of plays for the acclaimed writer of the multi-award-winning Chimerica.
Two ageing nuclear scientists wait in an isolated cottage on the coast, as the world around them crumbles. Then an old friend arrives with a frightening request.
Lucy Kirkwood's sharp comedy looks at power games and privacy in the media and beyond. Carrie's getting them out for the lads, Charlotte's just grateful to have a job, Sam's being asked to sell more than his body, and Aidan's trying to keep Doghouse magazine from going under. Set in the cut-throat media world, Lucy Kirkwood's timely new comedy exposes power games and privacy in the age of Photoshop. [NSFW = Not Safe For Work, online material which the viewer may not want to be seen accessing in a public or formal setting such as at work.]
Lucy Kirkwood's delightful version of the classic fairytale, first seen in a production devised and directed by Katie Mitchell at the National Theatre for Christmas 2010.
A powerful, provocative play about international relations and the shifting balance of power between East and West.
The first of two volumes in which nine established female playwrights grapple with the complexities of women and politics in Britain's past and present.
Hedda Gabler is one of the most controversial female characters in Western drama, with the meaning and value of her tragic fate hotly disputed. Free-spirited but trapped in a stifling marriage, intelligent and questing but consigned to a life of bourgeois idleness, she is caught between a disturbed sense of propriety and a desire for revolution.
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