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What happens when a writer throws herself into the service of one of the richest businessmen in the world? Will all the luxuries and corruption of the business world turn her into a complacent drone?
A powerful account of the early days of the Spanish Civil War, seen through the eyes of a young girl.
A madman's intense soliloquy in a slim, powerful volume by French author Salvayre (Everyday Life, 2006, etc.).The novel opens in a courtroom, where a former museum tour guide stands trial for murder. The accused engages in one-sided debates with his judge, prison guard, lawyer and psychiatrist. The nameless voice remains the novel's sole speaker, and though his rants prove that he is not only neurotic but mentally unbalanced, he is surprisingly eloquent and darkly humorous. We soon learn that the narrator's childhood haunts him: Abused by his angry father, he grew up in a house of violence, fear and hatred. He came to find a father figure in his museum boss, but was crushed when his mentor didn't understand and eventually refused to tolerate his erratic behavior. He is obsessed with his selfless, protective, now-dead mother, and is unable to love any other woman. He had a malfunctioning relationship with his wife, verbally and physically abusive, yet she continued to love him - a fact that irritated him to no end. The condemned man's mocking descriptions of social norms and everyday actions (sex, sneezing) is humorous, and his tone, lacking fear and timidity, can be captivating. The accused may be neurotic, self-involved, snobbish and unlikable, but the questions he raises are universal. What is pre-ordained and what is self-willed? How does one "gain a foothold in the void"? How much sympathy does one owe his fellow man? Well-composed and provocative. (Kirkus Reviews)
At the City Hall in a small town in the South of France, one man starts his campaign to correct the ills that have overtaken his proud nation by lecuring the town's inhabitants on the art of conversation. In the narrator's opinion, "coversation is a specialty that is most eminently French," an art that should be nurtured and practiced, and can help repair France's reputation. Not to mention being a good conversationalist is extremely useful for seducing women, which is how the narrator managed to attract Lucienne, his "superbly lumpish" wife who died two months before giving this lecture. One of the oddest characters in contemporary fiction, the lecturer in this novel can't help but digress about his sad life in the midst of his speech, giving the reader a view of a self-centered man trying to turn one of his greatest faults into a virtue to be forced on everyone else. By turns ironic, hilarious, pathetic, and mortifying, Salvayre's The Lecture is an exuberant example of the exciting fiction being written in France.
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