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This first scholarly book on Cecile Chaminade, a popular composer, pianist, and one of the few women to attain critical acclaim as a composer in the early twentieth century, contains an extensive biography drawn from a significant collection of primary sources.
Well written and consistently provocative, Gender and the Musical Canon is a comprehensive and balanced study of women composers and their music. A classic in gender studies in music, it is nonetheless accessible for musically educated lay reader.
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