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L'auteur montre comment, sous la plume de Jean Lorrain, de Marie Corelli, de Henry Rider-Haggard ou de Renee Vivien, des silhouettes mythologiques, bibliques et historiques invitent a nuancer l'omnipresence de la femme fatale dans le second dix-neuvieme siecle et a interroger la notion meme de fatalite.
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