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Paying special attention to the Romantic poets from Wordsworth and Coleridge down to Pound and Eliot, Marion Montgomgery explores the disorientation of image and methaphor for reality. Two species of "romanticism" emerge: that of the poet and that of the scientist.
This text is an exploration of Romantic poetry, including that of Eliot, Pound, Keats, Donne, Wordsworth, and Williams, from a Thomistic perspective. The author is particularly interested in the intellect and its relation to reality, intuition and rational thought.
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