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This is the first full-length study of the role of women in Arthurian literature. It covers writing from the medieval period, the Renaissance, the Victorian age and in contemporary fiction. Covering the key Arthurian texts, such as Chaucer's Wife of Bath's Tale, Sir Gawain and the Green Knight, Malory's Morte D'arthur, Spenser's The Faerie Queene and Tennyson's Idylls, it also investigates the less well-known works by women: Lady Charlotte Guest's Mabinogion, Julia Margaret Cameron's illustration to Tennyson's works and, finally, the Arthurian women writers of the twentieth century.
This volume presents a broad range of critical essays exemplifying different approaches to Shakespeare's two comedies, The Taming of the Shrew and Much Ado about Nothing.
Amongst other things, Wynne-Davies discusses sixteenth- and seventeenth-century poetry in its political and cultural contexts, considers Renaissance drama in terms of performance space, and uses the early modern map to explain the prose works of writers such as Bunyan and Cavendish.
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