Join thousands of book lovers
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.You can, at any time, unsubscribe from our newsletters.
Mark has an unusual history. After losing his hearing as an eighteen-month-old infant, the next six years were silent as he honed his way of watching.
"In House At Out, Mark Goodwin steps into a new topography: a world that is a 'wild's inf i nite b its' approached through the gaps and hollows in the word. The holes are apertures as we zoom into language, crack open word hordes and find worlds of association." -Simon Perril
This is a history of the New Zealand poisonous honey problem. New Zealand was not the first country to report problems with poisonous honey. Poisonings have been known worldwide for more than 2,000 years and still occurs in some countries today. As well as descriptions of the poisoning incidents, the history includes a description of the efforts of beekeepers, beekeeping advisors, doctors, and scientists who took 80 years to identify the source of the poison, and regulators who attempted to eliminate the problem. Although this is a historical account, the threat of poisoning from toxic honey is still present today. The last reported poisonings occurred as recently as 2008 when 22 people were poisoned after consuming toxic honey from the Coromandel Peninsula. It is important for beekeepers to be aware of this history in order to prevent new poisoning incidents.
One of five chapbooks published by Shearsman in the summer of 2012, Layers of Un marks another stage in the development of Mark Goodwin's radical landscape poetry.
Rescaling the State provides a theoretically-informed and empirically-rich account of the process of devolution undertaken in the UK since 1997, focusing in particular on the devolution of economic governance. -- .
"These poems disclose a poet's rich relationship to the natural world by stripping away, by letting a raw objectivist lyric scrape off any rhetorical surface to discover the details beneath. This happens in almost every line, every phrase-so much so that finally his individual words seem to do it by themselves." (Tim Allen)
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.