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A comics and gaming art veteran provides scores of images and step-by-step examples to illustrate how variation and experimentation lead to fresh, original designs for otherworldly beings and their environments and stories.
As Christians, we can often be starved of imagination, wary of paradox, and devoid of mystery. Reframation is a passionate manifesto, calling followers of Jesus to reframe and reenchant our worldview, enlarging our perception of God and gospel. It's an invitation to stretch our minds, expand our hearts, and awaken ourselves and those around us to the grand story of God.Rooted in Scripture, and drawing on poetry, literature, the arts, philosophy, and pop culture, Reframation refuses to settle for pious platitudes, and appeals to each and every one of us to experience and articulate the good news narrative in ways that resonate with the spiritual hunger and longings of those in our contemporary culture.
Publishers Weekly: "Nelson returns to the world of The Poets of Pevana, offering another enjoyable take on romantic fantasy." The subtle victories of summer have faded beneath a winter of Northern occupation. King Roderran's invasion plans have ripened. His soldiers muster the Pevanese into their ranks, churn fallow fields into mud, and turn the region into an armed camp. Come spring, there will be war. The King's arrival launches a flurry of preparations that sets the already turbulent city on edge. Prince Donari must contend with rumors of assassination, the disrespect of his liege-lord cousin, and the manipulations of the Lord Prelate Byrnard Casan. Trapped between fealty and treason, Donari faces impossible decisions. He must save his city and those closest to him. Somehow. The coming storm will test the poets of Pevana in ways none of them could have foreseen. Poetry will not win this time--swords and spears will have their day--but Donari and Eleni, Devyn and Talyior must keep their faith in words to walk the tenuous paths between loyalty and betrayal, freedom and servitude, hope and despair.
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