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This is a fully revised and updated edition of Martin Parr's highly successful book Autoportrait which was first published in 2000. Redesigned, it features a playable 'labyrinth' puzzle on the front cover and includes a large number of new images taken since its first publication. The book shows the remarkable shift from analogue to digital photography that has taken place over the period. For the last thirty years, when Martin Parr has travelled on assignment throughout the world he has had his portrait taken - whether by a local studio photographer, a street photographer, or in a photo booth. The result is a true celebration of portrait taking - ranging from elaborate studio sets reminiscent of the heyday of the Victorian studio photographer, through to digitally manipulated images of Parr as Mr Universe, or images horrendously re-touched by a studio in their attempts to flatter him. Presented in chronological order, the photos follow Parr as he ages gently on his travels across continents. As with all Parr's projects the book is not only hilarious but also comments on a world beyond the frame - not only in the apparent cultural differences between countries but also in its broader social and political references. It also reflects on identity and self, questioning the whole notion of the photographic portrait.
A revised edition of the classic book that launched Martin Parr and transformed the world of documentary photography.
Martin Parr is a world-renowned photographer and collector
A wonderful photo-documentary account of a year in the life of Oxford University, created by the renowned photo-journalist Martin Parr. His exquisite behind-the-scenes images are accompanied by Simon Winchester's witty and affectionate afterword on life in the iconic institution.
Photography and pop-culture buffs, get out your crayons and colored pencils! Martin Parr¿s colorful and tongue-in-cheek photographs¿his comedy of contemporary manners¿have been transformed into a coloring book. Here is Parr¿s affectionate and hilarious catalogue of human foibles¿bad fashion choices, messy foods, trashy souvenirs and the tourists who buy them¿rendered afresh. The book¿s eighty pages are packed with the most iconic and beloved Parr images, made into original drawings by Jane Mount, offering hours of coloring entertainment.
Over the last four years Martin Parr has been working on a commission for Multistory photographing the Black Country. It was an area he knew little of, other than its reputation as a densely populated, post-industrial area; one in decline. Many of the industries that once made the Black Country great have declined, but numerous small factories and manufacturing businesses remain in good health. A degree of regeneration has also come as a result of the many immigrant communities that have made the Black Country their home. The region is now populated with many different communities - Polish, Sikh and Somali to name but a few. Parr has explored workplaces, temples, churches, shops, clubs and societies. Wary of neglecting the day-to-day experience, he also photographed in the Merry Hill Shopping Centre, in shops such as Tesco, in bars, clubs and nightclubs as well as in leisure facilities such as gyms, sports centres and spas. One particular focus of this new series is on portraiture, an aspect of Parr's work that has really blossomed through the project.
Includes "America: un Viaje a traves de la injustica", "Para verte major, America Latina", "Algeria" "Sanrizuka", and, "Immagini del No".
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