Books by Mary Evans

The Old Testament prophets were people who looked at the world and heard God speaking. They looked at the creation and felt God's power. They looked at pain and poverty and felt God's compassion. They looked at oppression, corruption and idolatry and felt God's anger. They looked at faithful believers and felt God's encouragement. They looked to the future and envisaged God's action. They knew doubt, discouragement and rejection but they stood firm because in looking at God's world they had sensed God's love. They were real people speaking into real situations in a world where people's behavior and reactions were, in spite of all the advances of modern technology, not so very different from our own. Mary Evans, who lectured in Old Testament Studies for many years, firmly believes that these people who spoke from God so many years ago are dynamically relevant in church and society today. This book helps you understand the prophets and appreciate their relevance.

George Eliot was the literary pseudonym of British author Mary Anne Evans, born in 1819 in Warwickshire and destined to be one of the most celebrated and notorious of British female writers. Many of her novels deal with happy memories of her Warwickshire childhood, including her first great novel, The Mill on the Floss, and Silas Marner. For their depiction of childhood experiences and illustrations of children learning about moral themes, George Eliot's works have been taught as classic literature since their initial publication. Silas Marner is regarded by many as one of Eliot's best books, second only to her masterpiece, Middlemarch. The story of the miser and title character of Silas Marner and his redemption from greed and misery by the love of a small child, is one of the classics of English literature.

Examining the meaning and implications of the different ways in which various shared categories have been treated on both sides of the Atlantic, this title both analyses differences within feminism and provides a framework for the wider discussion of what is sometimes assumed to be the homogeneity of The West.

An introductory analysis of auto/biography which suggests that the genre is based on fictions, both about the subject and about what is possible to know about any one individual. Evans demonstrates the absences and evasions, indeed the 'missing persons' of auto/biography. Chapters consider particular kinds of auto/biographical writing.

It is generally accepted that Britain was held together during the Second World War by a spirit of national democratic "consensus". But whose interests did the consensus serve? And how did it unravel in the years immediately after victory?.