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As Mary Hammond observes in her wide-ranging publishing history of the novel, Great Expectations' life has extended far beyond the literary Anglophone world and owes a great deal to a particular moment in the mid-Victorian publishing industry. Her book features an exhaustive survey of the novel's different appearances in serial, book and dramatic f
Between 1880 and 1914, England saw the emergence of an unprecedented range of literary forms from Modernism to the popular thriller. This book asks the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'?
Where does the book belong? Does it enshrine the soul of a nation, or is it a means by which nations talk to one another, sharing ideas, technologies, texts? This book, the first in a two-volume set of original essays, responds to these questions with archive-based case studies of print culture in a number of countries around the world.
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