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Both a critical analysis and a survey history of how Canadians have used the medium of television, this is the first book to explore the content of Canadian television drama.
The Stations of the Cross became a Christian devotional practice in the thirteenth century. This collection of image and text highlights new perspectives on an ancient tradition. Miller has used the ritual metaphorically to journey with Jesus Christ from his trial to his entombment. The participants use Christian art to meditation on the Biblical story. The story of Jesus Christ's final sufferings reveal themselves like a passion play as we walk with Him to Mount Calvary. Sacred Art is more than biblical story telling. These 15 Stations of the Cross were designed to help navigate through a prescribed set of messages and motif to understand better how we humans fit into Christ's message of love. Three times he meets the Women, three times he falls and is only helped once, He is stripped of his dignity yet is resurrected into light and loving energy. The hope is to understand the ritual practice, which is no longer limited to only church, but speaks of our human capacity to go beyond suffering.
72 pages of egg tempera icon painting collection and commentary. An exploration of women in iconography and the absence of their voices in the church and icon image. Exquisitely painted icons are juxtaposed with text describing each of the images history, religious context and reflections about the world we live in today. This book is a must for any library, for those collectors of icons and those in authority who preserve this great tradition. Iconography has the potential the shape future theology through new liturgy and perspective for men and women everywhere. Mary Jane Miller's collection of new work is exquisite.
Mary Jane Miller discusses her Icon Painting technique, the history and meaning of icon painting. The How to book orients icon painters and examines why icons continue to be a spiritual tool. From a uniquely Western perspective, this step-by-step study of art and teaching of a practical course in Icon Painting technique. The religion and spirituality of this technique brings to life the sacred and beautiful art of egg tempera painting. Included are egg tempera recipe guides and patterns to work from. Beginners, intermediate, and advanced iconographers will all find new insights.With in-depth information, invaluable advice, and superb illustrations of each step, this is a most comprehensive guide to the philosophy and practice of icon painting. In addition, this Icon Painting technique book can be read as a step-by-step guide of how to create your own icon. The 12-step sequence put forth here is a guideline or road map for the process from vision to creation. However, while easy to follow detailed instructions about technique and materials are provided, my main objective is to emphasize the mystical experience of the process itself, bringing the the Icon Painting technique to a better understanding of the two natures of Christ - flesh and spirit.Details ; Looking at Icons Revealed, One Secret Prayer Method, Brief History of Iconography, Organic Egg Tempera, Icon of St Luke, Overview of How to Paint Icons, Wood, Linen, Gesso and Gold, First lines, Chaos of Color, Second lines, Highlights and Veils, Final Lines, Analysis of Icon Images, Mixing Paint for Lettering, Prayers for an IconographerEgg Temepra and Earth Pigments 41Rules for the Iconographer 42Conclusion
Life in Christ ~ Knowledge of God made visible in Jesus the Man is a 110-page book that incorporates 30 full-color plates of my paintings, a collection of contemporary iconography inspired by classic Byzantine style iconography, painted using traditional egg tempera technique. It is an old-world painting process of mixing egg yolk and ancient earth pigments.The practice of iconography is a visual language about God that comes alive in color and texture through practice, patience, and prayer. My dedication to this ancient tradition over the past three decades has inspired me to write, to explain, and to communicate my love of God. The narrative icons and written words are juxtaposed to highlight history, its religious context, and my own inspired reflections.The book contains three sections. Part 1, the Life of Jesus: his beginnings 2, Signs and Wonders: his miraculous events witnessed by his disciples, Part 3, Christ who is spiritually present and emotionally tangible.Church doctrines change slowly. Mostly, those with no title or schooling leave them unchallenged. But because of newly discovered texts, human creativity, and liberal artists like myself, the contemporary phrasing of old theology is contributing to re-examining who we are in God. There is a movement underway for changes in Christian ideology about women, art, psychology, and its interpretation inside the church and out. The book I have created, Life in Christ, Knowledge of God made visible in Jesus the Man is, I hope, an essential piece of this conversation.The text and imagery is a voice for yet unspoken insights and deeper discernment about what it means to live a spiritual existence. It is my great hope that the fascinating tradition inherent in icons and the unique techniques involved in egg tempera and earth pigments will speak to you and draw you into their ancient noesis.
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